I told someone I had a new book coming out this June and she remarked, "Do you put out a book every year?"

Actually, it's been four years since my last book was published. And, though I have another coming out next year, I don't think people realize how much time and energy it can take to publish a book. It starts with an idea. For me inspiration comes from current and past events. I build my stories and characters around something that sparks my imagination. And The Painting was inspired by a kerfuffle that happened more than a decade ago. 

I was intrigued when the board of the Seward House Museum in Auburn, NY was embattled in a lawsuit brought by one of Seward's descendants because of the removal of a Thomas Cole painting that had hung in the house for over 150 years and was given to William Seward as a gift. At the time (2013) they estimated the painting to be worth around $20 million, and the managers of the estate, the Emerson Foundation, wanted to auction it off. They won the lawsuit and the Portage Falls on The Genesee ended up in California. I thought to myself, did a community just lose a valuable piece of their cultural history?

​I visited the Thomas Cole National Historic Site in the Catskill Mountains to gain an understanding of the cultural context of his paintings and the Hudson River School. While there, I became enamored by the quiet legacy of his sister Sarah, and the women of the Hudson River School. The fact that little is known about Sarah’s artistic work pivoted the focus of my fiction. What if her paintings were worth just as much, if not more than her brothers due to their rarity? And what if, because she enjoyed travel just as much as her brother, she found places to paint and bequeathed her paintings to her hosts? Perhaps in a small town in the Catskills?
 
Using the case of what happened at the William Seward Museum as inspiration, my novel centers on a family left to take care of a house their father registered as a Cultural Heritage site with all contents intact. When a graduate student finds evidence of the provenance of a painting hanging over the mantel in the library as one of Sarah Cole’s, they are faced with a dilemma.  The foundation running the house insists it should be auctioned off because the cost to insure it and keep it safe are too high.
 
I started my novel The Painting in the summer of ’20. It's coming out June 2026, six years later. That's how long it takes me to work the concept of a story to the finish line. That includes waiting around for development suggestion from my editor(s), rewriting entire chapters, deleting others, and research. I do most of this work on the weekends or during the long breaks I get from working at a small college.

And all the while I'm working, I keep a journal for when new ideas pop up. So it isn't a big surprise to me when I look at the multitude of journals accumulating on my shelf, that I have two other books I'm working out in my head. And when I get a break from one book because I'm waiting for my editor to get back to me, or pitching it to an agent, or publisher, I keep on writing the next one. 

I suppose one day I won't be able to keep up the pace. I've already noticed that where I used to be able to sit for two hours and crank out 2k words, I sit for the same amount of time and labor over a sentence. I think that means I'm getting better at it, if not a little slower. 

I don't think the pace of publishing matters, it's whether my work connects with a reader. I know my novels won't please everyone, but I hope the painstaking work pays off for some. 

You can order The Painting here. 

Before it became a national park that draws more than 12 million people a year, The Smoky Mountains National Park was home to the Cherokee, and after that, settlers from Europe. They settled in the ‘coves’ or flat valley areas in the mountains which allowed them to raise crops and livestock. They had churches, schools, unique cantilevered barns, henhouses, and cabins. Thankfully, a historian had the foresight to encourage the government to preserve homesteads in the park as cultural heritage sites. And that is where the research journey for my novel, The Truth of Who You Are began.
 
What drew me first to the region (besides the majestic mountains) were the stories of the people who once inhabited Cades Cove. The community structures are still intact, preserved by the park for visitors to witness what it may have been like growing up in the shadows of the mountains. Regional museums have books about the people who once lived in the area, how they conducted business, and lived before the government bought them out to make the national park during the Great Depression. This eleven-mile circuit holds what remains of an entire community that once lived there: homes, corn cribs, barns, smoke, and spring houses.

The people that lived in Cades Cove had full, industrious lives.  Their economy was based on a bartering system with the nearby cities and towns. And they had plenty to barter before the woods were ravaged by blight, forest fire, and habitat destruction. Ginseng, chestnuts, corn, and cattle were just some of the products the people of Cades Cove bartered and sold at markets in Maryville and Knoxville, TN.  Luckily residents (many descendants) from nearby Townsend, Tennessee advocated for preserving the architecture of Cades Cove. It is the only area in the park where you can find everything intact. Which was fortunate because when the government started acquiring land for the park in the mid-1920s they tore down or let buildings rot after their occupants moved out. Just like the natural areas in the park, Cades Cove is a great place to rocket the imagination.
 
 
Some of the most interesting people who lived in the park were the Walker sisters. Their homestead is also intact. I used their life story as inspiration for the narrator Ben Taylor’s aunts. They were an industrious bunch. These six sisters took over the 120 acre farm their father left them in the early 1920s. They managed to live off the fruit of their labors, growing crops, fruit trees, making honey, raising animals for meat and wool for clothing. When the government agents came knocking in the early 1930s asking them to leave, they said firmly, “No.”
 
The government offered (as they did everyone they approached about leaving) money that would be equivalent to $90,000 today, to find a new home. They still refused. After hiring a lawyer, they came to a compromise with the government: they would take the money, but they got to stay on the land.

​Although younger families took the money and left, elderly people who had nowhere to go were allowed to stay until their death. But the government restricted what they could do. For the Walker sisters this meant they couldn’t cut wood, hunt, or fish. They managed to survive and became a tourist attraction after their story appeared in Saturday Evening Post April 27, 1946 edition. They grabbed the opportunity to sell homemade products to the people who ventured to their cabin in the woods. Their cabin is also still intact, and visitors hike the trail to so how they once lived.




​Other stories held my attention, and I incorporated them into my novel as well. The story of William Walker (distant relation to the Walker sisters) who owned most of  Walker Valley before the Smoky Mountains National Park was formed inspired me to base my story on his plight. William lived a colorful life. According to his descendants, he had three wives, and some estimate he sired over 20 children. He settled in what is now Tremont Institute at the park, in the 1850s. Lumber operations using the latest in steam engine technology, were able to snake their way higher into the mountains and began to close in on his valley. He tried to keep his old growth woods from the clutches of the Little River Lumber Company. He hung on to his land until 1918, selling it off  to the owner of the Little River Co. on his death bed with the understanding that the old trees would be spared. What he never knew was that eventually his trees were cut, post-mortem, by new owners of the lumber company, and that he woefully was underpaid for the land.

In my coming-of-age novel, Ben Taylor’s father is fending off the lumber companies who want to exploit his land, and government agents who him to sell his land for the park. Fiercely protective of his old growth forest high along the ridge, he battles with both entities as the family slowly descends into poverty during the Great Depression. When Ben’s father dies, Ben takes a job with the US Conservation Corps. He and hundreds of other men from the eastern cities, re-establish the devastated forest landscape. And Ben witnesses’ transformation of his community into a cultural heritage site for the national park.
 
Sources:
Cades Cove: A Personal History by Judge William Wayne Oliver. The Great Smoky Mountains Association. 2014
A Home in Walker Valley: The Story of Tremont.  By Jeremy Lloyd. Great Smoky Mountains Association. 2009
The Last Train to Elkmont. By Vic Weals. Olden Press. 1993.
 

The Truth of Who You Are has a major part set during the Battle of the Bulge in World War II. This epic military campaign began in the foreboding Ardennes Forest December 16, 1944 and was not concluded until January 1945. The Germans had amassed a large army hidden in the forests along the ridges and deep ravines of the Ardennes mountains of eastern Belgium and France. The Germans' objective was to take the city of Bastogne and the port of Antwerp. Unsuspecting American soldiers from the 110th Infantry were recuperating from the brutal battle in the Hürtgen Forest in the town of Clervaux. And when the Germans began their offensive, the Army was taken by surprise. Although the Germans would eventually be defeated, it was an epic battle. Infantrymen recount the eerie presence of German soldiers camouflaged in white outer-coats to match the snow, moving like wraiths in and out of the cover of fir trees on the battlefield. By the time it was over, 75,000 American and 80,000 German soldiers perished in the Ardennes.

While looking for primary sources I landed on a book titled: I'll Be Home for Christmas. It's a compilation of soldiers' letters and essays from the U.S. Library of Congress focused on the period of time soldiers' memories of home were most precious. The chapters include passages where they describe the movement of the infantry through the dark fir forests of the Ardennes, trudging through snow up to their thighs, hiding in fox holes, reminiscing about the holiday. More than once, the gravity of the moment was interspersed with small wonders and gestures of humanity. As one of the survivors, who was holed up in a cellar on Christmas Eve recalled: "At the stroke of midnight, without an order or request, dark figures emerged from the cellars. In the frosty gloom voices were raised in the old familiar Christmas carols. The infantry....could hear voices two hundred yards away in the dark, in German,...singing Silent Night."

They decorated random trees with tin ration cans. They made the best of a situation while pining to be home. Some of the men who were separated from their units ended up in cabins of the locals who gave them refuge and food on Christmas Eve. A medic was given a wooden carving from a piece of packing crate with the word Weihnachten 1944 (Christmas in German) from one of the German prisoners of war he treated.

A Belgium schoolteacher, returning to his classroom after the battle found this written on the blackboard by a German officer:

May the world never live through such a Christmas night. Nothing is more horrible than meetings one's fate, far from mother, wife, and children..... Life was bequeathed us in order that we might love and be considerate to one another. From the ruins, out of blood and death shall come forth a brotherly world.

One of the more poignant stories comes from bomber pilot Philip Ardery who knew all too well that fate might never give him another Christmas. He was reminded of this everyday while flying over Europe during the month of December of 1943. Growing up, he never opened any presents before Christmas Day. By late November family members of the pilots were sending packages to the headquarters where he was stationed. Many sat unopened, a 'Return to Sender' stamped on them when a soldier failed to return from a flight. Yet when Ardery was sent out on a mission in the inky dark of a bracing cold dawn, he had to decide: should I open one of my gifts just in case I don't make it back?

His family and friends made sure he had plenty to open. Each night he considered them from the perch of his bunk; the packages, sitting there waiting for him to rip open and discover what was inside.

Making it even more difficult was the fact that the weather was horrendous. Heavy fog and cold, damp air was hindering the pilots' efforts. Because they had not received their pathfinder equipment on time, they were flying without the instruments needed to guide the bombing. As a result, there were many mid-air collisions. In addition, lack of adequate gear meant men returned from their mission with frostbitten hands and many had to be hospitalized.

As the casualties mounted, each day, Ardery asked himself: should I open my presents just in case I don't make it back alive? Indecision plagued him through the month of December.

He didn't. He said the gifts were magical because of who sent them, those he held dearest. Maybe it was the taboo of opening anything before Christmas. Maybe it was hope. Hope that he would make it through his mission to eventually return home to those people he held dear. Hope may have been the greatest gift he received that year, that along with his life. He eventually opened his gifts on Christmas Day. One of the lucky ones to return home to family.

Anyone researching the Appalachian culture at the turn of the 20th century is likely to find the ethnographies of Emma Bell Miles and Horace Kephart. Miles’ The Spirit of the Mountains (1905) and Kephart’s Our Southern Highlanders (1913 and 1922) document the daily lives of the people living in the mountains of the southeast United States in the early 1900s. Their lyrical prose on the familial culture, unique dialect, art and music—influenced by isolation—are entertaining and insightful reads. 

Emma was the inspiration for Ben Taylor's mother, in my novel The Truth of Who You Are, set in the Great Smoky Mountains National Park. I found her personal story both tragic and inspiring. And the contrast of Emma Bell Miles' fate compared to Horace Kephart, (considered legendary in the region for advancing the National Park) smacks of irony. So I delved into to their personal lives further. And this is what I found. 
 
An examination of these two authors reveals parallels in their writing style and the influence their education had on their perception of the culture. Emma went to college for two years at the St. Louis School of Art.  Horace attended college in the mid-west and then went on to graduate school at Cornell University in 1881 to study history and political science. Both authors had educations that were for the most part beyond that of the people they were studying.  Rather than condescending, the authors had a penchant for describing their neighbors with grudging respect and awe for their resiliency. Moreover, both authors were amateur naturalists. Kephart wrote numerous articles for magazines such as Field and Stream on camping and the flora and fauna of the region, while Miles wrote and illustrated a book titled Our Southern Birds, in 1919. Both weave vivid narratives of the natural beauty of the region throughout the Spirit of the Mountains and Our Southern Highlanders.
 

I've used this tag line in my biographies several times and although it's metaphorical, it's also true. In my professional capacity over the years as an outdoor educator and professor teaching ecology and environmental science, I've worked alongside volunteers and students planting trees. Together we've planted hundreds of seedlings and bare root mature trees in places such as the Montezuma National Wildlife Refuge, the City of Syracuse parks, and the nature trail behind the college campus where I teach. 

So you can imagine my chagrin when we were approached by the utility company with a request to take down the ash trees that line the front of our house. The Emerald Ash borer is wreaking havoc on ash trees in the Northeastern U.S. and our ash trees are directly under the utility wires. The emerald ash borer beetle lays eggs in the tree's bark and the larvae eat away at the phloem, the inner part of the bark that transports water and nutrients, eventually killing the tree. The borer is not native to the United States and was brought to the states accidentally in 2002 from Asia.  Within the decade our trees would be dead so we agreed to let the utility take them down. 

We then had to decide whether to take down the magnificent ash tree in our side yard. 

This tree was planted long before we arrived, I'm guessing its age at fifty plus years. Its largess allowed it to throw shade on the back deck. Great! Except when you live in Upstate, NY and summers are so short. Half the tree hung over the driveway and in the fall it shed dead limbs and leaves like crazy. We spent hours cleaning up the mess it left on the pavement after a wind storm. So although I loved the tree we decided to take that one down as well. As upsetting as it was to see the hole in the sky when the tree was felled, this summer we've witnessed spectacular sherbet colored sunsets now that the limbs aren't obstructing the view.

It wasn't long however before the gaping hole in the landscape gnawed at me and we went in search of a new tree. I chose a redbud because I love the way their lavender flowers bloom so delicately in the spring. And they don't get that big - maybe twenty-five feet in height. 

Even as we were debating whether to take the ash tree down I knew I'd end up planting another in its place; I've spent the past few decades educating and advocating for the natural world. And I'm always rewarded by the look of wonder and accomplishment that passes over people's faces after grubbing around in the dirt, digging holes, putting in a tree, heeling the rich earth back into place. 

I remember one day in particular while planting thirty trees with my students in the nature trail behind campus. I was crouched over a dug-out hole, wide enough to handle the bare roots of a red maple. I was working with a student, using a shovel to back-fill the hole with dirt, when the student told me, "I've never planted a tree." He sat back on his haunches sweating and wiping at his brow with the back of his hand. "Well," I told him, "this is something you won't forget." I eyeballed the sky. "And if you do, come back one day to see how much it has grown."

That was almost a decade ago. Now, when I walk the trail I look at the growth of those trees and I'm grateful I was able to make a small difference in the world. The sprawling swamp white oaks are reaching toward the sky and the red maples that survived deer browsing are now over twenty feet tall. ​I, along with students and colleagues, made that happen.

My calling to improve the world the natural world is what led me to learn as much as I could about the Tree Army - the men of the U.S. Civilian Conservation Corps. During the Depression, the young men of the Corps. planted over a billion trees throughout the national and state parks in the U.S. My interest in their legacy turned into a novel.

It's because of these men we have the infrastructure and healthy forests in the parks we visit. We can all be inspired by the resilience of these hard working men during a difficult era. I can only think that these men, who came from destitute situations (lured in to the Corps so that they could make five dollars a week to send home), found solace in planting trees; ensuring the rebirth of the forests they worked in.

The legacy of the Corps - trees - continue on even as we face uncertain circumstances and a period of national anxiety. Trees remind us that there's always an opportunity for growth and renewal. Even after cutting down the ash tree in our yard, I find seedlings cropping up everywhere. Nature is like that. It doesn't give up. Neither should we.

My novel, The Truth of Who You Are is based on the stories of the men and women from the Tree Army set during the Great Depression. Links to buy it here. 

Drive through any rural area of the U.S. and you will inevitably find apple orchards; some may be new, others may be reminders of a family homestead long abandoned. But the trees remain.

It's believed that the Pilgrims brought apple seeds with them to the American colonies when they arrived in the early 1600s and grafted the European variety with the native American species of crab apple. Over the years farmers created many new varieties of apples. But not for eating. Apple trees and orchards had other economic uses.

One of the first things a settler would do is plant an apple orchard as a way to stake claim to a parcel of land. When investors formed the Ohio Company to lure colonists from the eastern states further West, they insisted the settlers plant at least fifty apple trees to establish their claim. 

Apples provided an important part of the American diet: cider. Most colonists used their apples to make cider, which was safer to drink than water. Indeed, one of out of every ten farms in New England operated a cider mill. Estimates are that an average New England family consumed about 35 gallons per person per year. (The author, Tracy Chevalier, wrote a historical novel centered around a family in Ohio that grows cider apples titled At the Edge of the Orchard. Although dark, it includes a fascinating botanical history.)

By the mid 1700s, orchards were an integral part of the American landscape. And although it may be assumed that the European settlers were the only ones to plant orchards, there was ample evidence that Native Americans also incorporated orchards into their lifestyle. In 1779, a scout for the Revolutionary Army drew a map of the Cayuga and Seneca native American settlements in the Finger Lakes region of New York. As the map shows, there were numerous orchards dotting the landscape.  General Sullivan, ordered his soldiers to go into the villages and wipe out the crops in retribution for an Haudenosaunee (Iroquois) incursion against the army. One soldier wrote in his diary about an attack on a village in what is now Geneva NY: we found about 80 houses something large some of them built with hew and timber and part with round timber and part with bark. Large quantities of corn and beans with all sorts of sauce, at this place a fine Young Orchard, which was soon all girdled. 

Apple production eventually industrialized and large scale apple orchards and mills started popping up in rural areas. By then apple consumption had expanded as well. Apples were used to make vinegar, for baking, and feed for livestock. Cider production was still popular but German immigrants introduced beer in the early part of the 19th century and the appetite for cider waned. Whether beer production and Prohibition in the 1920s played a role is not entirely known, but for whatever the reasons, apple growers began to plant less varieties of apples for cider and rely on trees that produced larger, sweeter fruit for the markets. 

Hard cider has had a resurgence on a large commercial scale. There are now numerous varieties of hard cider in the grocery stores alongside beer. And apple orchards are now eco-tourism destinations. Fans of hard cider can bring their kids to an orchard to pick eating and baking apples and then sidle up to a bar to consume the hard cider. It's still a family affair.


Sources: 

American Canopy. Trees Forests, and the Making of a Nation. Eric Rutkow. Scribner. 2012
Apples on the Border: Orchards and the Contest for the Great Lakes. William Kerrigan. Michigan Historical Review
Vol. 34, No. 1, Emerging Borderlands (Spring, 2008), pp. 25-41 (17 pages)​

Internet archive: Full Text of Sullivan's Expedition Against the Indians of New York.

The story of the American Chestnut (Castanea dentata) is tragic but hopeful. At one time the Chestnut tree was prolific in the northeastern US. At the turn of the 19th century, the Chestnut covered over twenty-five percent of the Appalachian mountain range which runs from Maine to Georgia. However, an imported fungus first discovered in 1904 destroyed much of the Chestnut forests. 

The Chestnut tree was an integral part of the landscape and had many uses. Indigenous people had multiple names for the tree's nuts, which they ground them down for flour. Families that moved into the Appalachian region foraged the nuts to eat and sell. But people weren't the only consumers of the trees' bounty. Bear, deer, turkeys, and many of the forest dwellers relied on the nuts to fatten up before winter. Farmers would let their hogs and cattle loose in the woods to eat the downed nuts.