From Kirkus Review
A historical novel, set largely in upstate New York’s Adirondack Park, about the troubled lives of real-life real estate investor William West Durant and his embittered sister, Ella.
Myers (Castles in the Air, 2016, etc.) continues the story of the Durants in this third book in her Durant Family Saga trilogy. Thomas C. Durant was a railroad magnate who lost a fortune and died under a cloud—and intestate—in 1885. His son, William, assumed control of the family’s remaining assets and began new real estate and construction ventures in the Adirondacks. His sibling, Ella, who was somewhat of a bohemian, always felt financially shortchanged and ill-treated by her older brother—which caused litigation between the two. In the novel, told in the form of reminiscences of various characters, readers follow the arc of William’s career from his early days as a high roller (starting in 1892) to his impoverished life as an old man (circa 1931). In the end, not only has William lost all of his own wealth, but also money and land that Ella won in her final lawsuit—so they both end up losing. However, as William wrote to a friend in 1932, “I am poor, but I am happy, what more can most of us expect?” Myers writes with skill and has chosen well in deeply researching the Durant saga, which remarkably parallels Greek tragedy. It’s a truly engrossing story, and Myers does it justice. William is effectively portrayed as being more clueless than anything else, as he honestly doesn’t understand that he is treating his sister—and his wife, for that matter—very badly. He’s also obsessed with his camps in the Adirondacks, giving readers the impression that he sees the whole park as his personal fiefdom. That’s likely the reason why Myers uses the very clever gambit of telling the story from the perspective of William in his old age, when he’s “calm of mind, all passion spent,” and being interviewed by wealthy Harold Hochschild, who now owns William’s old camp, Eagle’s Nest. To compare William to the aged Oedipus is not so great a stretch.
A well-wrought, classically inspired riches-to-rags tale.
Myers (Imaginary Brightness) satisfyingly concludes her historical trilogy set in the Gilded Age by presenting the detailed downfall of ruthless real estate mogul William West Durant; his exasperated wife, Janet; and his estranged sister, Ella. In 1931, the penniless Durant recounts his tragic life. After inheriting his father’s vast wealth and interest in the Adirondack Railroad, William immediately begins to make bad investments. He squanders money on yachts, panders to princes, and builds mansions he can’t afford to run, all while hiding assets from Ella. She sues him for her rightful inheritance and tries to overcome discrimination to become a novelist. Meanwhile, Janet, verbally abused and infantilized by William, begins an affair with her doctor. After getting proof of William’s own infidelities with an actress, Janet sues for divorce.....Myers expertly depicts a precarious era soaked in vicious gossip, stained reputations, and ostentatiousness. Readers will enjoy the historical details that bring this Gilded Age soap opera to life. (BookLife)
Literary Award for The Night is Done
There's been an ongoing joke in my house that I've spent too much time submitting my work: short stories, essays, and novels, to contests that I never seem to win. It's like the lottery or something, the chances I'll win are a long shot in today's competitive publishing world. In addition, some contests charge reading fees, hence I've also spent a considerable amount of money on these contests.
Well, it finally paid off for me when my novel The Night is Done won the Adirondack Center for Writing's Literary Award for Best Book of Fiction 2017. After some car trouble and a late start from my home in Upstate, NY and a five hour drive to Lake Placid, I got to the award ceremony just as they were announcing the winner.
Sheila Myers is an award winning author and Professor at a small college in Upstate NY. She enjoys writing, swimming in lakes, and walking in nature. Not always in that order.
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