This is an ode to those public historians who went out of their way to write and publish local history that would otherwise have been forgotten. Whether it was about their own past experience, or the history of a place, these books are gems for those of us writing historical fiction. They are accounts of the ordinary people, ones who may not have been famous, but whose lives are the fabric of the past. I've found my share of these treasures while researching my novels.
While attending a writers conference recently the speaker, a literary agent, was asked what he viewed as a trend in the industry. His answer was publishers were looking for women who write about women. He predicted, like most trends, this was fleeting and would either end or balance out. I began to wonder if what he deems a trend is really just an adjustment in a long history of marginalization of women authors. Just cursory research shows women authors have been under-represented for awards. Since 1901, the Nobel Prize for Literature has only been awarded to 14 women. There have only been 35 women winners of the Pulitzer Prize for fiction since it was first awarded in 1917.
While disconcerting, it also doesn't match up with the trends in women readership. I was intrigued by all of this because I've been in a book club for over 15 years. As an author I've been invited to speak with several book clubs. All organized and attended by women. Just recently, I spoke to my largest audience ever - 140 ladies in Charlotte, NC - who call themselves the JULIETS (Just us ladies interested in learning, eating, talking and sharing).
And as an author, I've been privileged to be able to network with other women authors in such online forums and memberships groups as the Women Fiction Writers Association and Women Writers Women's Books. Both organizations have a strong following. They offer guidance, mentoring, educational and promotional opportunities for women from diverse backgrounds.
I launched a project to fund my research on a historical novel with a crowdfunding site and it failed. Specifically, what lured me into trying crowdfunding on the site I chose was a podcast interview with one of the founders where she stated that artists are finding backers for their creative projects on their platform, and that 60% of the backers come from within the crowdfunding community itself. Hence, with the thought that I might find a community of like-minded artists, trying to fund projects, who would back the research for my next novel, I gave it a try. Nothing is failure if it is a learning experience and hopefully you can take away some tidbits of advice before you spend a lot of time and effort on your own crowdfunding campaign.
I’ll start with the positive aspects of my experience.
Now the Negatives:
Sheila Myers is an award winning author and Professor at a small college in Upstate NY. She enjoys writing, swimming in lakes, and walking in nature. Not always in that order.