It had always been about the brother, William West Durant, not the sister, Ella. I even titled a blog Tracking William West Durant.
William West Durant (1850-1934) was a scandalous genius, a man with a vision for the untamed Adirondack wilderness of the late 1800s.
My novels on the Durant family have two or more Points of View (POV), I thought transferring that over to a screenplay would work. Not quite. When I sent my pilot screenplay off to an editor I was surprised when he told me, pick one POV and suggested Ella (1855-1943) - the one I had a hard time finding any information about until the discovery of her scrapbooks in an attic in Pennsylvania. The challenge was to pivot multiple POVs to Ella’s lens on reality.
Firstly, and this is for those who have never converted a novel into a screenplay, I didn't know how to write a tv series with one POV if there are scenes where that person is not present. Then I thought about The Crown. Everything that happens in that tv series, even if the Queen is not present in the scene, revolves around her. The people who orbit her personal planet all impact her ability to maintain The Crown.
I re-worked the pilot, the ‘bible’ all from Ella’s POV, and sent it off. My editor tells me “strong shades of OUT OF AFRICA here”. Yay! I wasn’t aiming for that, it just happens to be a true story. So the next edit is about “make this story more about Ella. It can be done with judicious POV switches throughout the script.”
I’ve come to think of writing a screenplay as the ultimate omniscient POV. I am the god of the script, attempting to relay what's happening to Ella even when she’s not aware. And oh my….the things in store for her……
Sheila Myers is an award winning author and Professor at a small college in Upstate NY. She enjoys writing, swimming in lakes, and walking in nature. Not always in that order.