My current novel in progress has a section set during the Battle of the Bulge in World War II. This epic military campaign began in the foreboding Ardennes Forest December 16, 1944 and was not concluded until January 1945. The Germans had amassed a large army hidden in the forests along the ridges and deep ravines of the Ardennes mountains of eastern Belgium and France. The Germans' objective was to take the city of Bastogne and the port of Antwerp. Unsuspecting American soldiers from the 110th Infantry were recuperating from the brutal battle in the Hürtgen Forest in the town of Clervaux. And when the Germans began their offensive, the Army was taken by surprise. Although the Germans would eventually be defeated, it was an epic battle. Infantrymen recount the eerie presence of German soldiers camouflaged in white outer-coats to match the snow, moving like wraiths in and out of the cover of fir trees on the battlefield. By the time it was over, 75,000 American and 80,000 German soldiers perished in the Ardennes.

While looking for primary sources I landed on a book titled: I'll Be Home for Christmas. It's a compilation of soldiers' letters and essays from the U.S. Library of Congress focused on the period of time soldiers' memories of home were most precious. The chapters include passages where they describe the movement of the infantry through the dark fir forests of the Ardennes, trudging through snow up to their thighs, hiding in fox holes, reminiscing about the holiday. More than once, the gravity of the moment was interspersed with small wonders and gestures of humanity. As one of the survivors, who was holed up in a cellar on Christmas Eve recalled: "At the stroke of midnight, without an order or request, dark figured emerged from the cellars. In the frosty gloom voices were raised in the old familiar Christmas carols. The infantry....could hear voices two hundred yards away in the dark, in German,...singing Silent Night."

They decorated random trees with tin ration cans. They made the best of a situation while pining to be home. Some of the men who were separated from their units ended up in cabins of the locals who gave them refuge and food on Christmas Eve. A medic was given a wooden carving from a piece of packing crate with the word Weihnachten 1944 (Christmas in German) from one of the German prisoners of war he treated.

A Belgium schoolteacher, returning to his classroom after the battle found this written on the blackboard by a German officer:

May the world never live through such a Christmas night. Nothing is more horrible than meetings one's fate, far from mother, wife, and children..... Life was bequeathed us in order that we might love and be considerate to one another. From the ruins, out of blood and death shall come forth a brotherly world.

One of the more poignant stories comes from bomber pilot Philip Ardery who knew all too well that fate might never give him another Christmas. He was reminded of this everyday while flying over Europe during the month of December of 1943. Growing up, he never opened any presents before Christmas Day. By late November family members of the pilots were sending packages to the headquarters where he was stationed. Many sat unopened, a 'Return to Sender' stamped on them when a soldier failed to return from a flight. Yet when Ardery was sent out on a mission in the inky dark of a bracing cold dawn, he had to decide: should I open one of my gifts just in case I don't make it back?

His family and friends made sure he had plenty to open. Each night he considered them from the perch of his bunk; the packages, sitting there waiting for him to rip open and discover what was inside.

Making it even more difficult was the fact that the weather was horrendous. Heavy fog and cold, damp air was hindering the pilots' efforts. Because they had not received their pathfinder equipment on time, they were flying without the instruments needed to guide the bombing. As a result, there were many mid-air collisions. In addition, lack of adequate gear meant men returned from their mission with frostbitten hands and many had to be hospitalized.

As the casualties mounted, each day, Ardery asked himself: should I open my presents just in case I don't make it back alive? Indecision plagued him through the month of December.

He didn't. He said the gifts were magical because of who sent them, those he held dearest. Maybe it was the taboo of opening anything before Christmas. Maybe it was hope. Hope that he would make it through his mission to eventually return home to those people he held dear. Hope may have been the greatest gift he received that year, that along with his life. He eventually opened his gifts on Christmas Day. One of the lucky ones to return home to family.

It sounded like a good idea at the time: a week at a cabin built in 1890 on Raquette Lake, NY. The perimeter of the lake is 95% public land, part of the Adirondack Park wilderness and the cabin is part of a compound owned by a state college. It has no electricity, no wi-fi, no cell phone coverage, and is only accessible by foot or boat. It would be idyllic, a haven of peace away from the tumultuous clamor of modern life. A place to write my novel.

A few years ago I spent my ephemeral summer writing my first novel. There is nothing like the feeling of accomplishing something; especially when it is a labor of love. That is how I feel about my novel Ephemeral Summer. So I was especially pleased when I recently received an email from a women's book club in Twin Cities of Minnesota who are coming to the Finger Lakes region and want to meet and speak with me about my novel. 

Ephemeral Summer is a coming of age story about a young woman named Emalee who loses both parents die when she is 15. After the tragedy she is sent to live with her Aunt Audrey who summers at the family camp on Canandaigua Lake in Upstate New York. Emalee is beset with the usual problems of a young woman, but her familial relationships and 'lake friends' make her life even more trying. In her twentieth year she falls in love with a young intellectual philosopher named Stuart, whom she can't seem to get over even after years away from him and the lake setting where they met.

Although a love story, Ephemeral Summer weaves in a sense of place,  the wonders of the environments Emalee inhabits. Starting and ending in the Finger Lakes region, this story takes the reader from the shores of Canandaigua, Seneca, and Lake Erie, to the Canadian wilderness where Emalee finds herself tracking Moose as part of a research project in Algonquin Provincial Park.

I wrote and edited this book (with the help of many people) over the course of a few years. My purpose was to educate about this great place - the Finger Lakes - where I live in an entertaining fashion. I hope I've accomplished this and hope you'll enjoy read  Ephemeral Summer.

Writing placed-based literature is a great experience because there are always stories embedded in the culture of an area that a writer can use as a springboard.

When I wrote Ephemeral Summer I placed my college-age protagonist, Emalee, in settings that were familiar to me. She attends college in the Finger Lakes region of Upstate New York because I know the area well. However, like most college-age students she moves around, and in the last chapter, she visits the Canadian wilderness to assist a fellow graduate student track moose in Algonquin Provincial Park in Canada.  

Although I had stayed in Algonquin twice myself during graduate school (tracking moose), my research on Algonquin went beyond the ecological setting and into the realm of art. While conducting my research I was surfing the Internet for information about the Northern Lights to include in the novel, and stumbled upon the artwork of Tom Thomson, (1877-1917) an artist from the early 1900s who painted landscapes in Algonquin.

Thomson first visited Algonquin in 1912 and fell in love with the place. He stayed, found jobs as a ranger, firefighter and any other occupation that the woods would allow, and painted in his spare time. His paintings are considered the forerunner of a movement of painters called The Group of Seven: a group of Canadian landscape painters who spent considerable time painting in Algonquin from the 1920s-1930s.

As I delved into his story I found parallels to my plot. There is an accidental death by drowning in my story Ephemeral Summer, and Thomson likewise drowned under mysterious circumstances. In 1917, at age 40, he went out canoeing and was found dead a week later. Foul play was suspected but never confirmed.

Like many artists, Thomson did not make a lot of money on his works. Although he did have a patron, and some of his works sold, he became more popular after his death. And that is what is most intriguing about Thomson: his drive to create art whether it sold or not. His story folded neatly into my narrative for Ephemeral Summer. Indeed, for many artists, who create for art's sake, because they feel compelled.